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Albrecht Altdorfer
German 1480-1538 Albrecht Altdorfer Galleries He most often painted religious scenes, but is mainly famous as the first frequent painter of pure landscape, and also compositions dominated by their landscape. Taking and developing the landscape style of Lucas Cranach the Elder, he shows the hilly landscape of the Danube valley with thick forests of drooping and crumbling firs and larches hung with moss, and often dramatic colouring from a rising or setting sun. His Landscape with footbridge (National Gallery, London) of 1518-20 is claimed to be the first pure landscape in oil. He also made many fine finished drawings, mostly landscapes, in pen and watercolour. His best religious scenes are intense, sometimes verging on the expressionistic, and often depict moments of intimacy between Christ and his mother, or others. His most famous religious artwork is the The Legend of St. Sebastian and the Passion of Christ that decorated the altar in the St. Florian monastery in Linz, Austria. He often distorts perspective to subtle effect. His donor figures are often painted completely out of scale with the main scene, as in paintings of the previous centuries. He also painted some portraits; overall his painted oeuvre was not large.

 

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Albrecht Altdorfer Victory of Alexander over Darius,King of the Persians oil painting

Painting ID::  30486

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Albrecht Altdorfer
Victory of Alexander over Darius,King of the Persians
mk68 Oil on wood Munich Alte Pinakothek 1529
   
   
     

 

 

Albrecht Altdorfer The Agony in the Garden oil painting

Painting ID::  33519

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Albrecht Altdorfer
The Agony in the Garden
mk86 c.1515 Oil on wood 128x95cm
   
   
     

 

 

Albrecht Altdorfer Susanna at her Bath and The Stoning of the Old Men oil painting

Painting ID::  33520

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Albrecht Altdorfer
Susanna at her Bath and The Stoning of the Old Men
mk86 1526 Oil on wood 74.8x61.2cm Munich,Bayerische Staatsgemaldesammlun-gen,Alte Pinakothek
   
   
     

 

 

Albrecht Altdorfer Alexander's Vicory oil painting

Painting ID::  33521

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Albrecht Altdorfer
Alexander's Vicory
mk86 1529 Oil tempera on wood158.4x120.3cm Munich,Bayerische Staatsgemaldesammlungen,Alte Pinakothek
   
   
     

 

 

Albrecht Altdorfer Die Alexamderschlacht oil painting

Painting ID::  34376

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Albrecht Altdorfer
Die Alexamderschlacht
mk92 1529 158x120.5cm Munchen,Bayerische Staatsgemaldesammlung
   
   
     

 

 

Albrecht Altdorfer St George oil painting

Painting ID::  39026

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Albrecht Altdorfer
St George
mk142 1511 Oil on panel
   
   
     

 

 

Albrecht Altdorfer The Fairie Wood oil painting

Painting ID::  39027

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Albrecht Altdorfer
The Fairie Wood
mk142 1893 Oil on canvas 111.8x142.2cm
   
   
     

 

 

Albrecht Altdorfer Resurrection of Christ oil painting

Painting ID::  39701

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Albrecht Altdorfer
Resurrection of Christ
mk150 1518 70.5x37cm
   
   
     

 

 

Albrecht Altdorfer Suzanna in the Bath oil painting

Painting ID::  40332

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Albrecht Altdorfer
Suzanna in the Bath
mk156 1526 Oil on panel 74.8x61.2cm
   
   
     

 

 

Albrecht Altdorfer The Battle at the Issus oil painting

Painting ID::  40346

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Albrecht Altdorfer
The Battle at the Issus
mk156 1529 Oil on panel 158.4x120.3cm
   
   
     

 

 

Albrecht Altdorfer Danube-landscape oil painting

Painting ID::  42647

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Albrecht Altdorfer
Danube-landscape
MK169 ca. 1530 oil Paint on parchment on beech wood 30x22cm
   
   
     

 

 

Albrecht Altdorfer arias fodelse oil painting

Painting ID::  49475

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Albrecht Altdorfer
arias fodelse
mk198 about 1525 140x131cm Alte Pinakothek, Munchen
   
   
     

 

 

Albrecht Altdorfer Detail of The Birth of Mary oil painting

Painting ID::  51737

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Albrecht Altdorfer
Detail of The Birth of Mary
nn09 c.1525 Oil on canvas 141x131cm
   
   
     

 

 

Albrecht Altdorfer The Entombment oil painting

Painting ID::  52078

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Albrecht Altdorfer
The Entombment
c. 1516 Oil on wood, 70,5 x 37,3 cm
   
   
     

 

 

Albrecht Altdorfer Christ takes farval of their mother oil painting

Painting ID::  53773

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Albrecht Altdorfer
Christ takes farval of their mother
mk234 probably 1520 140x110cm
   
   
     

 

 

Albrecht Altdorfer View from Danube oil painting

Painting ID::  53774

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Albrecht Altdorfer
View from Danube
mk234 ca 1520-25 30x22cm
   
   
     

 

 

Albrecht Altdorfer the battle of lssus oil painting

Painting ID::  56010

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Albrecht Altdorfer
the battle of lssus
mk247 1529,oil on panel,62.375x47.375 in,158.4x120.3 cm,alte pinakothek,munich,germany
   
   
     

 

 

Albrecht Altdorfer Resurrection by Altdorfer oil painting

Painting ID::  58197

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Albrecht Altdorfer
Resurrection by Altdorfer
Resurrection by Altdorfer, 1518
   
   
     

 

 

Albrecht Altdorfer Crucifixion oil painting

Painting ID::  58198

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Albrecht Altdorfer
Crucifixion
Crucifixion (a scene rarely set on the banks of a large river) by Altdorfer, c. 1520
   
   
     

 

 

Albrecht Altdorfer St George and the Dragon oil painting

Painting ID::  58199

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Albrecht Altdorfer
St George and the Dragon
St George and the Dragon, 1510, Alte Pinakothek, oil on parchment, 28 x 23 cm
   
   
     

 

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Albrecht Altdorfer
German 1480-1538 Albrecht Altdorfer Galleries He most often painted religious scenes, but is mainly famous as the first frequent painter of pure landscape, and also compositions dominated by their landscape. Taking and developing the landscape style of Lucas Cranach the Elder, he shows the hilly landscape of the Danube valley with thick forests of drooping and crumbling firs and larches hung with moss, and often dramatic colouring from a rising or setting sun. His Landscape with footbridge (National Gallery, London) of 1518-20 is claimed to be the first pure landscape in oil. He also made many fine finished drawings, mostly landscapes, in pen and watercolour. His best religious scenes are intense, sometimes verging on the expressionistic, and often depict moments of intimacy between Christ and his mother, or others. His most famous religious artwork is the The Legend of St. Sebastian and the Passion of Christ that decorated the altar in the St. Florian monastery in Linz, Austria. He often distorts perspective to subtle effect. His donor figures are often painted completely out of scale with the main scene, as in paintings of the previous centuries. He also painted some portraits; overall his painted oeuvre was not large.